Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. ‘Jess and Jason’, she calls them. Their life – as she sees it – is perfect. If only Rachel could be that happy.
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train…
Sebastian Rudd is the lawyer who takes the cases no one else will touch, defending men accused of the vilest crimes including a drug addled punk accused of murdering two girls; a crime lord on death row and a homeowner who shot at a SWAT team. But the Arch Swanger case may be the one that breaks him.
Swanger is a prime suspect in the abduction and presumed murder of a 21-year-old- Jiliana Kemp. When Swanger asks Sebastian to represent him, he lets Sebastian in on a terrible secret – one that will threaten everything Sebastain holds dear.
Due to the nature of his clients, Sebastian Rudd takes the precaution of carrying a gun and employing a heavily armed bodyguard wherever he goes. And in his latest case, Rudd needs all the protection he can get. Another cracking legal thriller from the master of the genre.
The Foreign Land of the Very Wealthy – otherwise known as Manhattan’s Upper East Side – has its own rigid code of behaviour. It’s a code strictly adhered to by the Wilder-Bingham family. Emotional displays – unacceptable. Unruly behaviour – definitely not welcome. Fun – no thanks. This is Glenn Wilder-Bingham’s kingdom. A beautifully displayed impeccably edited fortress of restraint.
So when Rosie Kitto, an eccentric thirty-eight-year-old primary school teacher from England, bounces into their lives with a secret sorrow and a heart as big as the city, nobody realises that she hasn’t read the rule book.
For the Wilder-Bingham family, whose lives begin to unravel thread by thread, the consequences are explosive. Because after a lifetime of saying no, what happens when everyone decides to start saying …yes?
DCI Serena Flanagan is forced to confront a disturbing case from her past: the murder conviction of a 12-year-old-boy who has just been released from prison DCI Serena Flanagan hasn’t heard the boy’s name in years. Not since the blood on the wall and the body in the bedroom. Not since she listened as he confessed to brutally murdering his foster father.
But now Ciaran Devine is out of prison and back in her life. And so is his brother, Thomas – the brother that Flanagan always suspected of hiding something.
When Ciaran’s probation officer comes Flanagan with fresh fears about the Devines, the years of lies begin to unravel, setting a deadly chain of events in motion.
Amory Clay’s first memory is of her father doing a handstand – but it is his absences that she chiefly remembers. Her Uncle Greville, a photographer, gives her both the affection she needs and a camera, which unleashes a passion that irrevocably shapes her future.
She begins an apprenticeship with him in London, photographing socialites for magazines. But Amory is hungry for more and her search for life, love and artistic expression will take her to the demi-monde of 1920s Berlin, New York in the 1930s, the Blackshirt riots in London, and France during the Second World War, where she becomes one of the first women war photographers.
In this enthralling story of a life fully lived, William Boyd has created a sweeping panorama of the twentieth century, told through the camera lens of one unforgettable woman.
You live on a picturesque communal garden square, an oasis in urban London where your children run free, in and out of other people’s houses. You’ve known your neighbours for years and you trust them. Implicitly. You think your children are safe. But are they really?
Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible?
Utterly believable characters, a gripping story and a dark secret buried at its core: this is Lisa Jewell at her heart-stopping best.
Amaterasu Takahashi has spent her life grieving for her daughter Yuko and grandson Hideo, who were victims of the atomic bomb dropped on Nagasaki in 1945. Now a widow living in America, she believes that one man was responsible for her loss; a local doctor who caused an irreparable rift between mother and daughter.
So when a man claiming to be Hideo arrives on her doorstep, she is forced to revisit the past; the hurt and humiliation of her early life, the intoxication of a first romance and the realisation that if she had loved her daughter in a different way, she might still be alive today.
Copleton lived in Nagasaki and other parts of Japan for three years, so her description of Japanese values and culture is utterly authentic, and completely mesmerising. As is the story’s central conundrum: is this man a survivor, or a fraudster?
In the summer of 1990, Cathy’s brother Matty was knocked down by a car on the way home from a night out. It was two weeks before his GCSE results, which turned out to be the best in his school. Sitting by his unconscious body in hospital, holding his hand and watching his heartbeat on the monitors, Cathy and her parents willed him to survive. They did not know then that there are many and various fates worse than death.
This is the story of what happened to Cathy and her brother, and the unimaginable decision that she and her parents had to make eight years after the night that changed everything. It’s a story for anyone who has ever watched someone suffer or lost someone they loved or lived through a painful time that left them forever changed.
Told with boundless warmth and affection, The Last Act of Love by Cathy Rentzenbrink is a heartbreaking yet uplifting testament to a family’s survival and the price we pay for love.