Nigel Slater: Christmas Cake Recipe

Lining the tin

You really must line the tin. And thickly too. It gets very hot during the long time in the oven and the outside crust can burn. A layer of paper – or, as my mum insisted, two layers – will protect the cake mixture from the hot tin.

Using the base of the cake tin as a template, cut a disc of baking parchment to fit neatly into the base. Now cut a long, wide strip that will fit not only around the inside of the tin, but a good 9cm above it. Place it around the inside of the tin.

Soaking the fruit

Counsel for perfection suggests that the dried fruit be soaked overnight in brandy and fruit juice. To be honest, I don’t bother, simply because dried fruits are not as dry today as they once were, being generally juicier and softer than in years gone by. If you would like to do that, then put the vine fruits into a large mixing bowl, pour over the brandy, the orange and lemon juice, then steep overnight. An occasional stir will ensure as many fruits as possible stay in contact with the liquid.

Making the Cake

Set the oven at 160°C/Gas 3. Using a food mixer and a flat paddle beater attachment, beat the butter and sugars till light and fluffy. Don’t forget to push the mixture down the sides of the bowl from time to time with a rubber spatula. Toast the hazelnuts in a dry pan till light brown then cut each one in half.

While the butter and sugars are beating to a cappuccino-coloured fluff, cut the dried fruits into small pieces,removing the hard stalks for the figs. Break the eggs into a small bowl, beat lightly with a fork, then add a little at a time to the butter mixture, beating continuously. (If it curdles, add a little flour.)

Slowly mix in the ground almonds, toasted hazelnuts and all the dried and vine fruits, the brandy and citrus zest and juice. Now mix the baking powder and flour together and fold them lightly into the mix.

Scrape the mixture into the prepared tin, smooth the top gently, and put it into the oven.

Leave the cake for about an hour. Then, without opening the door, turn the heat down to 150°C/Gas 2 and continue cooking for 1½ hours.

Check whether the cake is done by inserting a skewer, or a knitting needle, into the centre. It should come out with just a few crumbs attached to it, no trace of raw cake mixture. Take the cake out of the oven and leave to cool before removing it from the tin.

Feeding the Cake

If you make the cake early enough, or at least a month before you need it, you will have the opportunity to ‘feed it’ with alcohol. Most people use brandy, though I have known those who prefer rum. The trick is to pierce the base of the cake several times with a skewer, then spoon brandy into the holes. I have never found a skewer wide enough so tend to prefer a thin Japanese chopstick.

My mum, incidentally, used a knitting needle, a number 8, which provided a suitably wide hollow. I suspect she did this to ensure enough alcohol was absorbed by the cake rather than in memory of Ambrogio Lorenzetti’s 1345 painting of Mary, Joseph and the baby that clearly shows Mary clicking away on a pair of needles. It’s one of a series of fourteenth-century paintings known as the ‘knitting Madonnas’.

The idea is to keep the cake moist and to help preserve it. I have a suspicion that the task isn’t really necessary, but the idea makes sense and I’m happy to go along with it.

Once the cake is completely cool, remove the paper from the base and pierce all over with a skewer or knitting needle. Spoon over enough brandy to moisten the cake but not to make it soggy– I suggest three or four tablespoons at a time. Don’t use your cognac, but it’s worth remembering that you can only take out what you put in. Wrap the cake in greaseproof paper and tin foil and store in a cake tin. Feed the cake every few days with the same amount of brandy.